One of the core reasons I make books now is because Ray Bradbury scared me so happy, that what I am perpetually compelled to do is, at best, ignite the same flame in a young reader today. Most of my comics, certainly the ones I write myself, are scary ones or revolve around scary themes. In the last ten years I began to notice that they also featured, as protagonists, children. Even when the overall story wasn’t necessarily about them, there they were: peeking from behind some safe remove, watching.
I came to understand the pattern was leading me to a more clearly defined ethos when I both had kids of my own and I came to find that the comics industry had for the most part decided not to make books for kids anymore.
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Reason #1: CHILDHOOD IS SCARY
Maurice Sendak, whom I love as a contributor to the lore of children’s literature as well as a dangerous and wily critic of the medium (especially his grouchy latter years), once countered a happy interviewer by demanding she understand that childhood was not a skip-hop through a candy-cane field of butterflies and sharing and sunshine, that is was in fact a terrifying ordeal he felt compelled to help kids survive. Kids live in a world of insane giants already. Nothing is the right size. The doorknobs are too high, the chairs too big… They have little agency of their own, and are barely given the power to even choose their own clothes. (Though no real “power ” can ever be given, anyway… maybe “privilege” is the right term.) Aside from the legitimate fears of every generation, kids today are enjoying seeing these madhouse giants lose their jobs, blow themselves up using the same planes they ride to visit grandma, and catastrophically ruin their own ecosystem, ushering in a new era of unknown tectonic change and loss their grandkids will get to enjoy in full. The insane giants did to the world what they did to comics: they didn’t grow a future, but instead ate it for dinner.
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Reason #3: HORROR IS ANCIENT AND REAL AND CAN TEACH US MUCH
In the old days, fairy tales and stories for kids were designed to teach them to avoid places of danger, strangers, and weird old ladies living in candy-covered houses. They were cautionary tales for generations of kids who faced death, real and tangible, almost each and every day.
Read the rest at Tor.com.